George Cremaschi
selected compositions:
Subtle Effect [2020]
for 9 improvising musicians: 6 electronics, violin, electric guitar and percussion
60 min
for 9 improvising musicians: 6 electronics, violin, electric guitar and percussion
60 min
KRK large group [2019]
for clarinet, soprano saxophone, percussion, electronics, and amplified contrabass
45 min
video edit
Cackle and Heave [2019]
for analog electronics
7 min
Part 4 [2016]
from dance work Anatomie
Jiří Durman: bass clarinet
8 min
Affective Labor – for amplified instruments [2013]
Irene Kepl: violin
Petr Vrba: trumpet
George Cremaschi: contrabass
15 min
Melt Forth – for six musicians [2013]
Florian Fennes: clarinet and bass clarinet
Reni Weichselbaum, Katrin Hauk: contrabass recorder
Bernhard Schöberl, Klaus Haidl: guitar
Michael Zacherl: electronics
9 min
Metal and Glass Music [2012]
Matthew Goodheart: transducer-activated cymbals
George Cremaschi: contact microphones, glass and electronics
8 min
Acquire and Debase – for electronics [2011]
27 min video excerpt
Nearly Last Breath – for oboe, soprano, alto and baritone saxophones, Bb, bass and contrabass clarinets, piano,
percussion and electronics [2010]
Kyle Bruckmann, John Ingle, Matt Ingalls, Matthew Goodheart, Kjell Nordeson, George Cremaschi
20 min listen
Glass Music – for contact microphones, glass and electronics [2010]
Hilary Jeffery: trombone
48 min
Hypnagogic Eye – for electronics [2010]
Monster Mash – electroacoustic sound and video [2010]
4 min video
Skippy Tired – lloopp [2009] 4 min
Nothing to Say – for contrabass, electronics and computer [2008]
Winter Light – for electronics [2008] 8 min
Couldn't Find China on a Map – electroacoustic [2007] 3 min
North of Sixty – electroacoustic [2006] 9 min
The Dream Life – for two pianos (one prepared), two guitars, bass clarinet, contrabass and three voices [2006]
Strach (in 13 movements) – for solo contrabass [2006]
Our Blood Was Boiling – electroacoustic [2006] 5 min
Blind Donkey – for butoh dancer and contrabass [2005]
Nohow On (for Matthew Sperry) – for contrabass, cassette player and actor [2004]
En Mi Noche Larga – for trumpet, trombone, flute, saxophones, bass clarinet, viola, cello, percussion [2004]
Liz Allbee, Tom Yoder, David Slusser, Jon Raskin, Matt Ingalls, Tara Flandreau, Merlin Coleman, Garth Powell
8 min
Pták – for trumpet, trombone, clarinet, sopranino saxophone, tenor sax, contrabass, perc [2003]
End of Hope – electroacoustic [2002] 4 min
Omaggio a Lohman – for contrabass w/tape and slide projector [2002]
9 min
Sand Brick Bones (in 5 movements) – for clarinet, sopranino saxophone, trombone, contrabass, percussion [2001]
Zamek – for any number of musicians [2001]
El Jardin de Esperanza – for saxophone and contrabass [2000]
Jon Raskin: baritone saxophone
George Cremaschi: contrabass
5 min
Past Moments Old Dreams – for contrabass and tape [1999] 7 min
Blood Washes Blood – for clarinet, contrabass and percussion [1999]
Limo Job – for voice, marimba, contrabass and percussion [1998]
Beth Lisisck, David Cooper, George Cremaschi, Andrew Borger
4 min
Dime Store Philosophy – for soprano saxophone, contrabass and percussion [1997]
Billboards for America – for violin, guitar, voice, alto saxophone and contrabass [1996]
You Will Be Hypnotized Twice – for alto saxophone, voice, contrabass and percussion [1994]
Spiritual Marketplace – for tape, synthesizer, bullhorn, marching drum and four actors [1993]
Rueda Vibora – for spoken voice and contrabass [1992]
Ninth Day – for cello [1990]
Prelude/History – for slide guitar, tenor saxophone, electric bass, contrabass, percussion [1988]
